Or, maizy doats and dozy doats…..? What does this have to do with anything? Weird combinations , I suppose. Thought I would post this marbled snowflake plate, inspired by a star plate that Solomon Grimm produced back in the early 1800s.
The snowflake instead of a star came to mind a few weeks ago when I was trudging through a foot of snow to get to the studio; after seeing billions and billions of them, (snowflakes) I guess it was just natural to pay homage to the masses.
This redware plate is first marbled with slip, then carved through, sgraffito style, with a small piece of tin. Then more slip is added to give it depth. The edge of the plate is textured by pressing the shell in small sections around the rim.
So, does all this make sense now? The maizy doats and dozy doats thing is still a little up in the air, but one can google that and find out plenty… and don’t forget, a liddle lamzey divey.
Has it really been since last April since I posted????? That’s what being busy, posting on Facebook and blog procrastination does to you, or to me, or to one. I am still here, creating pots and gardening and enjoying both immensely! So…, I do remember posting a while ago about the Partridge in a Pear Tree Jar, and promising those who wanted to follow along on the “12 Days of Christmas ” journey, the second piece. For those of you who are humming the song right now, you have probably figured out it should be Two Turtle Doves. Yes, The Two Turtle Dove sugar pot was finished for 2013 and sent to all who requested. I must say, I wasn’t planning on doing the whole 12 day thing, but am quite excited about it now, and have just completed the ”Three French Hen” piece for 2014. After I stopped and thought about this venture, from a practical potter standpoint, because those of you who know me, know me as a very practical sort of potter, I thought to myself, HEY!! What if 10 years from now someone wants a Partridge in a Pear Tree Jar???
So, I started writing down meticulous instructions to my practical self about how many pounds of clay and the steps it takes, in order, so my feeble potter brain in 2024 will be able to replicate these pieces, and glad I DID! The sugar pot takes 30 steps, or is it 31?? Hang on a minute, let me check my notes…..nope, it’s 31. See? So fret not, future “12 Dayers”, I’ve got you covered!
This past week I was honored again to be asked to demonstrate early American redware pottery at New Harmony’s Heritage Days. This is in conjunction with Indiana children learning about Indiana history, although there were plenty of students from States across the rivers; Illinois and Kentucky. As I started with each group I would look down at my work table and was reminded that this was the first time many children had touched clay, learned where it came from, and believe it or not, saw a rolling pin!
I would begin with “gather ’round the table”; a fitting phrase to bring friends and folks together to share a moment of fun, refreshment and discussion. We sometimes forget that children engage in different ways, so I am weary when I think they may not care or are not paying attention. But then the questions come, and I realize by them “gathering”, they have learned and take a little bit of me out into the world.
So, bring the children to the table, teach them what you know; they may help keep what is important from the past alive so their future will be balanced with reason and understanding of our history.
Is there any doubt? A dog is a friend, protector, therapist, cheerleader and playmate. They become part of the family and are sometimes better to have at the Thanksgiving table than human family. Their cherished value has been known and written about for generations; grateful human companions have remembered their friends in paintings and sculptures. Folk artists have captured endearing characteristics of these friends in clay and wood and have given us wonderful objects that make us smile when we see them. The redware dogs pictured here, are inspired by folk potters of the mid 19th century. They were perhaps used as doorstops or paperweights.
What can be better than your best friend bringing you a basket with your favorite libation?
And here is another; there seems to be a theme .
I was reluctant at first to try my hand at these sculptural figures, for fear of not succeeding I suppose. But after doing a few, I too have found the allure of making man’s best friend bring a smile to my face. And to be fair, I also like cats; have recently come into three barn cats, and enjoy the smiles they bring to my face in their barnyard antics. Do I see redware cats in my future? Check out the post before this one to see the “king of the cats”. He’s smiling and definitely makes me smile!!
As winter has blanketed the pottery compound with the usual quiet, restful ambience for which the season was designed, folks have been asking me if my hibernation period is rejuvenative? To which I reply, “Yes, it is very restful, in a vibrant, creative way.” Instead of lying around though, I have been ‘Lion’ around, and doggin’ around, and monkeying around!
A friend of mine has challenged me to make some mid 19th century redware animal figures, which were used for paperweights and doorstops or just made for fun. I have to admit, I was reluctant to get going; but once I did, they kind of grew on me and became not only a challenge, but a fun challenge; perfect for the winter rest. The lion is the second of the animals and is the most challenging because of the thrown body and head. Once those are assembled and he has his head about him, he gets other lion parts like his tail and mane, which is made by squeezing clay through a garlic press.
To tell you the truth, I was so happy when I opened the kiln and saw that he had survived and had not become a ‘lion bomb’. (exploding lions can be a real mess) His beautiful smile was looking up at me saying, “all is well Tom, you should have a lie down”. So I think I shall, keep ‘lion’ around, because it really does rejuvenate the creative spirit.
Smile. Rest. Create.
Winter will be soon be gone.
Redware lambs, dogs, and monkeys riding dogs, (sorry OZ fans, no flying monkeys) to come in future posts. Oh, and a bear or two too!
O’er silent flocks by night,
Behold throughout the heavens
there shown a holy light!
‘Tis the season to sing all of our favorite carols, play the seasonal tunes and make objects out of clay that remind us of both. OK, maybe that’s just me, but if you can’t relate, maybe cookie baking is a good analogy. I’d like to share with you a storage jar I made, titled, “A Partridge in a Pear Tree”. The jar was selected by the editors of Early American Life Magazine to be photographed in the Christmas 2012 issue. I, to say the least, was quite honored.
It came to me afterwards, that it would be very interesting and challenging for me to create a piece every year using the song as an inspiration.
So, yep, you guessed it. For 2013 I am working on a Two Turtle Doves piece.
I figure a piece like this a year for the next 11 years will be a nice legacy to my pottery. And, can’t you just wait to see the last piece!!??
Hope you follow along with me on this journey. My goal will be for you to see some other interesting pieces too!
Merry Christmas!! and a Happy Holiday Season to All!!
Wow! I realized today I had not posted anything for about three months. For those of you who were extremely worried, I assure you I am fine; only to have been suffering from “alottodo”, with a touch of “procrastinitus”. Nonetheless, I promised an update on the Ollas made and used this summer, during one of the worst droughts Southern Indiana, and other parts of the country, have ever suffered. So first, let me show you the pictures; I believe they speak for themselves.
OK, let me recap. I buried the Olla next to one of the pepper plants and did not water any other way, except through the exposed Olla spout. The drought was brutal, leaving all plants, and animals incredibly thirsty. The pepper plant on the right is the one with the Olla buried next to it. It seems that the roots of this plant definitely benefitted from the water seeping into the ground. Not only was the plant double in size, it had twice as many peppers for the yield, and the wild petunia that came up next to it was happy also. The petunia was also competing for the moisture, yet the pepper still outperformed the “no Olla” pepper. So, is this a conclusive thumbs up for the Olla? I have to say, although limited in scope, the drought made this a very easy comparison to make. No rain from above meant the only way of getting moisture was through the Olla. I think I’ll make some more, but certainly don’t want to be testing them through any more droughts. My final humble opinion:
Ollas 1 Drought 0
Want to have a great relaxing time in a very peaceful, beautiful setting this weekend? Well bank on this!! The 2012 annual craft and artisan show at Shaker Village, Pleasant Hill Kentucky is the place to be.
Here are some salt glazed banks in the style of the mid 19th century that I will be bringing, along with many other pieces of salt glazed stoneware and 18th and 19th century style redware.
Great way to spend a summer day. Yes, it’s supposed to be hot, but there is always a nice breeze blowing across the fields and we are under plenty of shade trees that help cool the spirit. So come on down to the beautiful home of the Shakers, you’ll enjoy.
You can bank on it!
For more info: www.shakervillageky.org
A friend of mine, let’s call her Michelle, loves owls. And I agree. Owls are cool birds. First of all, they are amazing to look at. From the smallest we have in our area, Screech Owls, to the biggest we’ve seen, some Barred Owls. They make incredible night noises that can stop our outdoor conversation in it’s tracks. They have incredible night vision and fly through the woods without a sound! Amazing!
So, Michelle asked if I ever put owls on my sgraffito plates or would I? I told her I hadn’t, but immediately thought of a plate I had seen that was made in the early 1700′s in Staffordshire England. When I showed her a picture of the original, she said she was in. And I agreed. The original is so quaint; the mother owl, her six owlettes and then for some reason, a small strange bird of another species.
Who knows what was in the potters mind, but it sure gets our attention 300 years later. The original was slip trailed, but I was asked to do an interpretation of the plate in sgraffito decoration.
Here is my best attempt at an image of the original.
Here is the sgraffito plate that is my interpretation. Just gotta love that odd little bird looking to be an amazing owl.
So, Michelle is actually the wise owner of the new plate. But Whoooo is the maker of the original 300 years ago? We will probably never know. Just another great British “Whoooodunnit”.